The Perfect World

by Kahlil Gibran

God of lost souls, thou who art lost amongst the gods, hear me:

Gentle Destiny that watchest over us, mad, wandering spirits, hear me:

I dwell in the midst of a perfect race, I the most imperfect.

I, a human chaos, a nebula of confused elements, I move amongst finished worlds -- peoples of complete laws and pure order, whose thoughts are assorted, whose dreams are arranged, and whose visions are enrolled and registered.

Their virtues, O God, are measured, their sins are weighed, and even the countless things that pass in the dim twilight of neither sin nor virtue are recorded and catalogued.

Here days and nights are divided into seasons of conduct and governed by rules of blameless accuracy.

To eat, to drink, to sleep, to cover one's nudity, and then to be weary in due time.

To work, to play, to sing, to dance, and then to lie still when the clock strikes the hour.

To think thus, to feel thus much, and then to cease thinking and feeling when a certain star rises above yonder horizon.

To rob a neighbour with a smile, to bestow gifts with a graceful wave of the hand, to praise prudently, to blame cautiously, to destroy a soul with a word, to burn a body with a breath, and then to wash the hands when the day's work is done.

To love according to an established order, to entertain one's best self in a pre-conceived manner, to worship the gods becomingly, to intrigue the devils artfully -- and then to forget all as though memory were dead.

To fancy with a motive, to contemplate with consideration, to be happy sweetly, to suffer nobly -- and then to empty the cup so that tomorrow may fill it again.

All these things, O God, are conceived with forethought, born with determination, nursed with exactness, governed by rules, directed by reason, and then slain and buried after a prescribed method. And even their silent graves that lie within the human soul are marked and numbered.

It is a perfect world, a world of consummate excellence, a world of supreme wonders, the ripest fruit in God's garden, the master-thought of the universe.

But why should I be here, O God, I a green seed of unfulfilled passion, a mad tempest that seeketh neither east nor west, a bewildered fragment from a burnt planet?

Why am I here, O God of lost souls, thou who art lost amongst the gods?

Gibran Kahlil Gibran was born on January 6, 1883, to the Maronite family of Gibran in Bsharri, a mountainous area in Northern Lebanon [Lebanon was a Turkish province part of Greater Syria (Syria, Lebanon, and Palestine) and subjugated to Ottoman dominion]. His mother Kamila Rahmeh was thirty when she begot Gibran from her third husband Khalil Gibran, who proved to be an irresponsible husband leading the family to poverty. Gibran had a half-brother six years older than him called Peter and two younger sisters, Mariana and Sultana, whom he was deeply attached to throughout his life, along with his mother. Kamila's family came from a prestigious religious background, which imbued the uneducated mother with a strong will and later on helped her raise up the family on her own in the U.S. Growing up in the lush region of Bsharri, Gibran proved to be a solitary and pensive child who relished the natural surroundings of the cascading falls, the rugged cliffs and the neighboring green cedars, the beauty of which emerged as a dramatic and symbolic influence to his drawings and writings. Being laden with poverty, he did not receive any formal education or learning, which was limited to regular visits to a village priest who doctrined him with the essentials of religion and the Bible, alongside Syriac and Arabic languages. Recognizing Gibran's inquisitive and alert nature, the priest began teaching him the rudiments of alphabet and language, opening up to Gibran the world of history, science, and language. At the age of ten, Gibran fell off a cliff, wounding his left shoulder, which remained weak for the rest of his life ever since this incident. To relocate the shoulder, his family strapped it to a cross and wrapped it up for forty days, a symbolic incident reminiscent of Christ's wanderings in the wilderness and which remained etched in Gibran's memory.

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